admirable in many ways; but Johnson had taken the least possible trouble in ascertaining facts. Both Warton and Johnson had before them the manuscript collections of Joseph Spence, who had known Pope personally during the last twenty years of his life, and wanted nothing but literary ability to have become an efficient Boswell. Spence's anecdotes, which were not published till 1820, give the best obtainable information upon many points, especially in regard to Pope's childhood. This ends the list of biographers who were in any sense contemporary with Pope. Their statements must be checked and supplemented by the poet's own letters, and innumerable references to him in the literature of the time. In 1806 appeared the edition of Pope by Bowles, with a life prefixed. Bowles expressed an unfavourable opinion of many points in Pope's character, and some remarks by Campbell, in his specimens of English poets, led to a controversy (1819-1826) in which Bowles defended his views against Campbell, Byron, Roscoe, and others, and which incidentally cleared up some disputed questions. Roscoe, the author of the Life of Leo X., published his edition of Pope in 1824. A life is contained in the first volume, but it is a feeble performance; and the notes, many of them directed against Bowles, are of little value. A more complete biography was published by R. Carruthers (with an edition of the works), in 1854. The second, and much improved, edition appeared in 1857, and is still the most convenient life of Pope, though Mr. Carruthers was not fully acquainted with the last results of some recent investigations, which have thrown a new light upon the poet's career.

The writer who took the lead in these inquiries was the late Mr. Dilke. Mr. Dilke published the results of his investigations (which were partly guided by the discovery of a previously unpublished correspondence between Pope and his friend Caryll), in the Athenæum and Notes and Queries, at various intervals, from 1854 to 1860. His contributions to the subject have been collated in the first volume of the Papers of a Critic,

edited by his grandson, the present Sir Charles W. Dilke, in 1875. Meanwhile Mr. Croker had been making an extensive collection of materials for an exhaustive edition of Pope's works, in which he was to be assisted by Mr. Peter Cunningham. After Croker's death these materials were submitted by Mr. Murray to Mr. Whitwell Elwin, whose own researches have greatly extended our knowledge, and who had also the advantage of Mr. Dilke's advice. Mr. Elwin began, in 1871, the publication of the long-promised edition. It was to have occupied ten volumes-five of poems and five of correspondence, the latter of which was to include a very large proportion of previously unpublished matter. Unfortunately for all students of English literature, only two volumes of poetry and three of correspondence have appeared. The notes and prefaces, however, contain a vast amount of information, which clears up many previously disputed points in the poet's career; and it is to be hoped that the materials collectedfor the remaining volumes will not be ultimately lost. It is easy to dispute some of Mr. Elwin's critical opinions, but it would be impossible to speak too highly of the value of his investigations of facts. Without a study of his work, no adequate knowledge of Pope is attainable.

The ideal biographer of Pope, if he ever appears, must be endowed with the qualities of an acute critic and a patient antiquarian; and it would take years of labour to work out all the minute problems connected with the subject. All that I can profess to have done is to have given a short summary of the obvious facts, and of the main conclusions established by the evidence given at length in the writings of Mr. Dilke and Mr. Elwin. I have added such criticisms as seemed desirable in a work of this kind, and I must beg pardon by anticipation if I have fallen into inaccuracies in relating a story so full of pitfalls for the unwary.

L. S.

POPE.

A

CHAPTER I.

EARLY YEARS.

THE father of Alexander Pope was a London merchant, a devout Catholic, and not improbably a convert to Catholicism. His mother was one of seventeen children of William Turner, of York; one of her sisters was the wife of Cooper, the well-known portrait-painter. Mrs. Cooper was the poet's godmother; she died when he was five years old, leaving to her sister, Mrs. Pope, a "grinding-stone and muller," and their mother's "picture in limning ;" and to her nephew, the little Alexander, all her books, pictures, and medals set in gold or otherwise."

"

In after-life the poet made some progress in acquiring the art of painting; and the bequest suggests the possibility that the precocious child had already given some indications of artistic taste. Affectionate eyes were certainly on the watch for any symptoms of developing talent. Pope was born on May 21st, 1688-the annus mirabilis which introduced a new political era in England, and was fatal to the hopes of ardent Catholics. About the same

time, partly, perhaps, in consequence of the catastrophe, Pope's father retired from business, and settled at Binfield-a village two miles from Wokingham and nine from Windsor. It is near Bracknell, one of Shelley's brief perching places, and in such a region as poets might love, if poetic praises of rustic seclusion are to be taken. seriously. To the east were the "forests and green retreats" of Windsor, and the wild heaths of Bagshot, Chobham and Aldershot stretched for miles to the South. Some twelve miles off in that direction, one may remark, lay Moor Park, where the sturdy pedestrian, Swift, was living with Sir W. Temple during great part of Pope's childhood; but it does not appear that his walks ever took him to Pope's neighbourhood, nor did he see, till some years later, the lad with whom he was to form one of the most famous of literary friendships. The little household was presumably a very quiet one, and remained. fixed at Binfield for twenty-seven years, till the son had grown to manhood and celebrity. From the earliest period he seems to have been a domestic idol. He was not an only child, for he had a half-sister by his father's side, who must have been considerably older than himself, as her mother died nine years before the poet's birth. But he was the only child of his mother, and his parents concentrated upon him an affection which he returned with touching ardour and persistence. They were both fortysix in the year of his birth. He inherited headaches from his mother, and a crooked figure from his father. A nurse who shared their care, lived with him for many years, and was buried by him, with an affectionate epitaph, in 1725. The family tradition represents him as a sweet-tempered child, and says that he was called the "little nightingale," from the beauty of his voice. As the