Flower painting in water colours |
From inside the book
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Page 4
... sepia , brown pink , Payne's grey , and neutral tint ; all valuable colours , though but sparingly used . The two extremes , Chinese white and lampblack , close the list . The brushes used should not be too small ; dexterous handling ...
... sepia , brown pink , Payne's grey , and neutral tint ; all valuable colours , though but sparingly used . The two extremes , Chinese white and lampblack , close the list . The brushes used should not be too small ; dexterous handling ...
Page 7
... sepia . A good deal of the more intense colour , both in the open flowers and the buds , will be obtained by using a fuller strength of carmine , but in the more purple portions crimson lake and neutral tint will be employed . The olive ...
... sepia . A good deal of the more intense colour , both in the open flowers and the buds , will be obtained by using a fuller strength of carmine , but in the more purple portions crimson lake and neutral tint will be employed . The olive ...
Page 8
... sepia will be found very useful . The stamens are painted with a mixture of yellow ochre and gamboge . The rich mottling and variegation of colour in the stem must be carefully given . APPLE . - In our remarks on the primrose we have ...
... sepia will be found very useful . The stamens are painted with a mixture of yellow ochre and gamboge . The rich mottling and variegation of colour in the stem must be carefully given . APPLE . - In our remarks on the primrose we have ...
Page 9
... sepia may advantageously be added in some of the veinings and darker portions . The stem , too , shows a considerable variation of colour , and , while grey in general effect has a considerable blending of yellowish and darker - green ...
... sepia may advantageously be added in some of the veinings and darker portions . The stem , too , shows a considerable variation of colour , and , while grey in general effect has a considerable blending of yellowish and darker - green ...
Page 11
... sepia and madder brown . The yellow ground must not be taken over the calyx or the unopened buds , or it will render it impossible to get the necessary purple tone seen in those parts . This purple will be got by adding a very slight ...
... sepia and madder brown . The yellow ground must not be taken over the calyx or the unopened buds , or it will render it impossible to get the necessary purple tone seen in those parts . This purple will be got by adding a very slight ...
Common terms and phrases
200 Original 400 Illustrations A. F. GRACE artistic beautiful beginner blossoms brush cadmium and crimson calyx carefully carmine CASSELL & COMPANY Cassell's central lines Chinese white cloth gilt cobalt compound of gamboge crimson lake Crown 4to darker delicate Designs by R. P. difficulty Doré Doré Gallery drawing F. E. HULME Fcap Flower Painting flowers and buds foliage FRANK DICKSEE gamboge and Prussian garden gilt edges golden green ground colour herb robert Illustrated throughout Indian yellow Japan quince lampblack leaf leaves Letterpress Library binding Little Folks look Ludgate Hill madder brown MAGAZINE OF ART Magnificent Original Illustrations Marlborough morocco Nature neutral tint numerous Illustrations Painting in Water pencil petals pigments Plate contains Full Plates by F. E. Plates from Designs poppy portions primrose Prussian blue purity purple R. P. LEITCH readers Revised Edition rose madder scarlet SECOND SERIES sepia Shakspere stamens stems student Three Vols veinings wash of gamboge Wood Engravings