Flower painting in water colours |
From inside the book
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Page 4
... purple madder , all essential pigments . The more neutral colours include sepia , brown pink , Payne's grey , and neutral tint ; all valuable colours , though but sparingly used . The two extremes , Chinese white and lampblack , close ...
... purple madder , all essential pigments . The more neutral colours include sepia , brown pink , Payne's grey , and neutral tint ; all valuable colours , though but sparingly used . The two extremes , Chinese white and lampblack , close ...
Page 5
... purple of the flowers may be very well got by a mixture of crimson lake and cobalt , the veinings being some of them of pure crimson lake . French ultramarine , being a stronger colour than cobalt , may be substituted in the shaded ...
... purple of the flowers may be very well got by a mixture of crimson lake and cobalt , the veinings being some of them of pure crimson lake . French ultramarine , being a stronger colour than cobalt , may be substituted in the shaded ...
Page 6
... purple below , a colour that we may very well get by the blending together of crimson lake and cobalt . The few soft and scattered hairs on the stems must also be added , as the giving of these minor details imparts in the aggregate a ...
... purple below , a colour that we may very well get by the blending together of crimson lake and cobalt . The few soft and scattered hairs on the stems must also be added , as the giving of these minor details imparts in the aggregate a ...
Page 7
... purple portions crimson lake and neutral tint will be employed . The olive green of the calyx is produced by letting the crimson of the buds pass over those parts also , and then superadding the green . The variation in colour of the ...
... purple portions crimson lake and neutral tint will be employed . The olive green of the calyx is produced by letting the crimson of the buds pass over those parts also , and then superadding the green . The variation in colour of the ...
Page 10
... purple , crimson lake alone for the reds , a mixture of madder brown and black for the deeper shades , and lampblack alone , much diluted , for the paler grey . The pale grey of the leaves may be painted all over them , and then the ...
... purple , crimson lake alone for the reds , a mixture of madder brown and black for the deeper shades , and lampblack alone , much diluted , for the paler grey . The pale grey of the leaves may be painted all over them , and then the ...
Common terms and phrases
200 Original 400 Illustrations A. F. GRACE artistic beautiful beginner blossoms brush cadmium and crimson calyx carefully carmine CASSELL & COMPANY Cassell's central lines Chinese white cloth gilt cobalt compound of gamboge crimson lake Crown 4to darker delicate Designs by R. P. difficulty Doré Doré Gallery drawing F. E. HULME Fcap Flower Painting flowers and buds foliage FRANK DICKSEE gamboge and Prussian garden gilt edges golden green ground colour herb robert Illustrated throughout Indian yellow Japan quince lampblack leaf leaves Letterpress Library binding Little Folks look Ludgate Hill madder brown MAGAZINE OF ART Magnificent Original Illustrations Marlborough morocco Nature neutral tint numerous Illustrations Painting in Water pencil petals pigments Plate contains Full Plates by F. E. Plates from Designs poppy portions primrose Prussian blue purity purple R. P. LEITCH readers Revised Edition rose madder scarlet SECOND SERIES sepia Shakspere stamens stems student Three Vols veinings wash of gamboge Wood Engravings