Flower painting in water colours |
From inside the book
Results 1-5 of 12
Page 4
... light red , vermilion - neither of them of much service for the present purpose - crimson lake , carmine , rose madder , brown madder , burnt sienna , and purple madder , all essential pigments . The more neutral colours include sepia ...
... light red , vermilion - neither of them of much service for the present purpose - crimson lake , carmine , rose madder , brown madder , burnt sienna , and purple madder , all essential pigments . The more neutral colours include sepia ...
Page 6
... light being pale grey , while others , as they pass more or less into the shade , are of various tints of green . The rough and irregular surface of the leaves is a very characteristic feature . JAPAN QUINCE . - The attractiveness of ...
... light being pale grey , while others , as they pass more or less into the shade , are of various tints of green . The rough and irregular surface of the leaves is a very characteristic feature . JAPAN QUINCE . - The attractiveness of ...
Page 7
... light strikes most fully , will mostly be covered over with a stronger tint , produced by the use of cadmium , while the darkest portions are shaded by means of sepia . A good deal of the more intense colour , both in the open flowers ...
... light strikes most fully , will mostly be covered over with a stronger tint , produced by the use of cadmium , while the darkest portions are shaded by means of sepia . A good deal of the more intense colour , both in the open flowers ...
Page 8
... light in some places ; in others the light shining through the leaf itself , and making it a vivid green , while elsewhere again a darker and duller green expresses shade , or the shadow cast by one leaf upon another . The flowers are ...
... light in some places ; in others the light shining through the leaf itself , and making it a vivid green , while elsewhere again a darker and duller green expresses shade , or the shadow cast by one leaf upon another . The flowers are ...
Page 10
... light hand , guided by some little patience , will be necessary both for the leaves and tendrils , but they present no real difficulty to any one armed with these three requisites . FIELD SCABIOUS . - We have already , in the previous ...
... light hand , guided by some little patience , will be necessary both for the leaves and tendrils , but they present no real difficulty to any one armed with these three requisites . FIELD SCABIOUS . - We have already , in the previous ...
Common terms and phrases
200 Original 400 Illustrations A. F. GRACE artistic beautiful beginner blossoms brush cadmium and crimson calyx carefully carmine CASSELL & COMPANY Cassell's central lines Chinese white cloth gilt cobalt compound of gamboge crimson lake Crown 4to darker delicate Designs by R. P. difficulty Doré Doré Gallery drawing F. E. HULME Fcap Flower Painting flowers and buds foliage FRANK DICKSEE gamboge and Prussian garden gilt edges golden green ground colour herb robert Illustrated throughout Indian yellow Japan quince lampblack leaf leaves Letterpress Library binding Little Folks look Ludgate Hill madder brown MAGAZINE OF ART Magnificent Original Illustrations Marlborough morocco Nature neutral tint numerous Illustrations Painting in Water pencil petals pigments Plate contains Full Plates by F. E. Plates from Designs poppy portions primrose Prussian blue purity purple R. P. LEITCH readers Revised Edition rose madder scarlet SECOND SERIES sepia Shakspere stamens stems student Three Vols veinings wash of gamboge Wood Engravings