Flower painting in water colours |
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Page 4
... employed should be of that happy medium which we can only describe as avoiding the two extremes of fineness and roughness , but if it must incline one way or the other , fineness of texture is the safer deviation . Large bold work may ...
... employed should be of that happy medium which we can only describe as avoiding the two extremes of fineness and roughness , but if it must incline one way or the other , fineness of texture is the safer deviation . Large bold work may ...
Page 7
... employed . The olive green of the calyx is produced by letting the crimson of the buds pass over those parts also , and then superadding the green . The variation in colour of the stem and the thin line of light on it are points that ...
... employed . The olive green of the calyx is produced by letting the crimson of the buds pass over those parts also , and then superadding the green . The variation in colour of the stem and the thin line of light on it are points that ...
Page 9
... employed , though in the brighter parts the rich green required will be compounded of gamboge and Prussian blue . A little sepia may advantageously be added in some of the veinings and darker portions . The stem , too , shows a ...
... employed , though in the brighter parts the rich green required will be compounded of gamboge and Prussian blue . A little sepia may advantageously be added in some of the veinings and darker portions . The stem , too , shows a ...
Page 10
... employed in our group are crimson lake , cobalt for the bluish - purple , crimson lake alone for the reds , a mixture of madder brown and black for the deeper shades , and lampblack alone , much diluted , for the paler grey . The pale ...
... employed in our group are crimson lake , cobalt for the bluish - purple , crimson lake alone for the reds , a mixture of madder brown and black for the deeper shades , and lampblack alone , much diluted , for the paler grey . The pale ...
Page 16
... employed , and much loving patience to guide it withal , nor unless perfect cleanliness of surroundings permit of perfect purity of tint . In drawing leaves of this complexity and richness of outline , it is always safer to first of all ...
... employed , and much loving patience to guide it withal , nor unless perfect cleanliness of surroundings permit of perfect purity of tint . In drawing leaves of this complexity and richness of outline , it is always safer to first of all ...
Common terms and phrases
200 Original 400 Illustrations A. F. GRACE artistic beautiful beginner blossoms brush cadmium and crimson calyx carefully carmine CASSELL & COMPANY Cassell's central lines Chinese white cloth gilt cobalt compound of gamboge crimson lake Crown 4to darker delicate Designs by R. P. difficulty Doré Doré Gallery drawing F. E. HULME Fcap Flower Painting flowers and buds foliage FRANK DICKSEE gamboge and Prussian garden gilt edges golden green ground colour herb robert Illustrated throughout Indian yellow Japan quince lampblack leaf leaves Letterpress Library binding Little Folks look Ludgate Hill madder brown MAGAZINE OF ART Magnificent Original Illustrations Marlborough morocco Nature neutral tint numerous Illustrations Painting in Water pencil petals pigments Plate contains Full Plates by F. E. Plates from Designs poppy portions primrose Prussian blue purity purple R. P. LEITCH readers Revised Edition rose madder scarlet SECOND SERIES sepia Shakspere stamens stems student Three Vols veinings wash of gamboge Wood Engravings