Flower painting in water colours |
From inside the book
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Page 4
... crimson lake , carmine , rose madder , brown madder , burnt sienna , and purple madder , all essential pigments . The more neutral colours include sepia , brown pink , Payne's grey , and neutral tint ; all valuable colours , though but ...
... crimson lake , carmine , rose madder , brown madder , burnt sienna , and purple madder , all essential pigments . The more neutral colours include sepia , brown pink , Payne's grey , and neutral tint ; all valuable colours , though but ...
Page 5
... crimson lake and cobalt , the veinings being some of them of pure crimson lake . French ultramarine , being a stronger colour than cobalt , may be substituted in the shaded portions . Care must be exercised in drawing the flowers and ...
... crimson lake and cobalt , the veinings being some of them of pure crimson lake . French ultramarine , being a stronger colour than cobalt , may be substituted in the shaded portions . Care must be exercised in drawing the flowers and ...
Page 6
... crimson lake and cobalt . The few soft and scattered hairs on the stems must also be added , as the giving of these minor details imparts in the aggregate a greater suggestion of the truth of nature , trifling as they seem in themselves ...
... crimson lake and cobalt . The few soft and scattered hairs on the stems must also be added , as the giving of these minor details imparts in the aggregate a greater suggestion of the truth of nature , trifling as they seem in themselves ...
Page 7
... carmine , but in the more purple portions crimson lake and neutral tint will be employed . The olive green of the calyx is produced by letting the crimson of the buds pass over those parts also , and then superadding the green . The ...
... carmine , but in the more purple portions crimson lake and neutral tint will be employed . The olive green of the calyx is produced by letting the crimson of the buds pass over those parts also , and then superadding the green . The ...
Page 8
... crimson lake , the veinings and shades having more of the latter colour in them , and in some of the darker portions the addition of a little sepia will be found very useful . The stamens are painted with a mixture of yellow ochre and ...
... crimson lake , the veinings and shades having more of the latter colour in them , and in some of the darker portions the addition of a little sepia will be found very useful . The stamens are painted with a mixture of yellow ochre and ...
Common terms and phrases
200 Original 400 Illustrations A. F. GRACE artistic beautiful beginner blossoms brush cadmium and crimson calyx carefully carmine CASSELL & COMPANY Cassell's central lines Chinese white cloth gilt cobalt compound of gamboge crimson lake Crown 4to darker delicate Designs by R. P. difficulty Doré Doré Gallery drawing F. E. HULME Fcap Flower Painting flowers and buds foliage FRANK DICKSEE gamboge and Prussian garden gilt edges golden green ground colour herb robert Illustrated throughout Indian yellow Japan quince lampblack leaf leaves Letterpress Library binding Little Folks look Ludgate Hill madder brown MAGAZINE OF ART Magnificent Original Illustrations Marlborough morocco Nature neutral tint numerous Illustrations Painting in Water pencil petals pigments Plate contains Full Plates by F. E. Plates from Designs poppy portions primrose Prussian blue purity purple R. P. LEITCH readers Revised Edition rose madder scarlet SECOND SERIES sepia Shakspere stamens stems student Three Vols veinings wash of gamboge Wood Engravings