Flower painting in water colours |
From inside the book
Results 1-5 of 11
Page 4
... three times too big for its purpose , but it is much more difficult to get bolder work and large washes out of a small brush . We are ourselves continually driving our students into the use of larger brushes , or they would get into a ...
... three times too big for its purpose , but it is much more difficult to get bolder work and large washes out of a small brush . We are ourselves continually driving our students into the use of larger brushes , or they would get into a ...
Page 10
... three requisites . FIELD SCABIOUS . - We have already , in the previous series , dwelt upon the general importance of keeping everything connected with our painting materials scrupu- lously and faultlessly clean , but it is advice that ...
... three requisites . FIELD SCABIOUS . - We have already , in the previous series , dwelt upon the general importance of keeping everything connected with our painting materials scrupu- lously and faultlessly clean , but it is advice that ...
Page 16
... three - quarter face , while others assume a position that the portrait painters never select , and which we must , therefore , coin a word of our own for , and call three - quarter back . They are , in fact , presented at every ...
... three - quarter face , while others assume a position that the portrait painters never select , and which we must , therefore , coin a word of our own for , and call three - quarter back . They are , in fact , presented at every ...
Page 17
... three being larger and in front of the other and alternating three . This , again , is one of those nice points of structure that the careful draughtsman will be careful to bring out in his drawing . The petals have a somewhat thin and ...
... three being larger and in front of the other and alternating three . This , again , is one of those nice points of structure that the careful draughtsman will be careful to bring out in his drawing . The petals have a somewhat thin and ...
Page 17
... three being larger and in front of the other and alternating three. This, again, is one of those nice points of structure that the careful draughtsman will be careful to bring out in his drawing. The petals have a somewhat thin and ...
... three being larger and in front of the other and alternating three. This, again, is one of those nice points of structure that the careful draughtsman will be careful to bring out in his drawing. The petals have a somewhat thin and ...
Common terms and phrases
200 Original 400 Illustrations A. F. GRACE artistic beautiful beginner blossoms brush cadmium and crimson calyx carefully carmine CASSELL & COMPANY Cassell's central lines Chinese white cloth gilt cobalt compound of gamboge crimson lake Crown 4to darker delicate Designs by R. P. difficulty Doré Doré Gallery drawing F. E. HULME Fcap Flower Painting flowers and buds foliage FRANK DICKSEE gamboge and Prussian garden gilt edges golden green ground colour herb robert Illustrated throughout Indian yellow Japan quince lampblack leaf leaves Letterpress Library binding Little Folks look Ludgate Hill madder brown MAGAZINE OF ART Magnificent Original Illustrations Marlborough morocco Nature neutral tint numerous Illustrations Painting in Water pencil petals pigments Plate contains Full Plates by F. E. Plates from Designs poppy portions primrose Prussian blue purity purple R. P. LEITCH readers Revised Edition rose madder scarlet SECOND SERIES sepia Shakspere stamens stems student Three Vols veinings wash of gamboge Wood Engravings