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height above the surrounding ruins, but one hundred and twenty-eight feet above the general level of the country. The foundation or basement, which is made of very large bricks, has a depth of twenty-eight feet below the level of the ruins, but is sunk only ten feet below the surface of the country. The lower part of the tower, to a height of forty-three feet, is built entirely of stone from one of the Chunar quarries; and, with the exception of the upper five courses, the whole of this part of the building is a solid mass of stone; and each stone, even in the very heart of the mass, is secured to its neighbours by iron cramps. The upper part of the tower is built entirely of large bricks; but, as the outer facing has long ago disappeared, there is nothing now left to show whether it was formerly cased with stone, or only plastered over, and coloured to imitate the stone-work of the lower portion. I infer, however, that it was plastered; because the existing stonework terminates with the same course all round the building, a length of two hundred and ninety-two feet. Had the upper part been cased with stone, it is scarcely possible that the whole should have disappeared so completely that not even a single block out of so many thonsands should not remain in its original position. In one part I observed some projecting bricks, which appeared very like the remains of a moulding at the base of the dome. On the top I found a small brick cap, eight feet in diameter and only four feet high. From its size, I infer that this was the ruin of the base of a small pin. nacle, about ten feet square, which, most probably, once supported a stone umbrella. I infer this, because the figures of Buddha, the Teacher, are usually represented as seated under an umbrella.

“The lower part of the monument has eight projecting faces, each twenty-one feet six inches in width, with intervals of fifteen feet between them. In each of the faces, at á height of twenty-four feet above the ground, there is a semi-circular headed niche, five and a half feet in width, and the same in height. In each of the niches there is a pedestal, one foot in height, and slightly hollowed on the top, to receive the base of a statue ; but the statues themselves have long disappeared, and I did not find the fragment of one, in my excavation at the base of the monument. There can be little doubt, however, that all the eight statues represented Buddha, the Preacher, in the usual form, with his hands raised before his breast, and the thumb and forefinger of the right hand placed on the little finger of the left hand, for the purpose of enforcing his argument. Judging by the dimensions of the niches, the statues must have been of life-size.

“ From the level of the base of the niches, the eight projecting faces lessen in width to five feet at the top; but the diminution is not uniform, as it begins gradually at first, and increases as it approaches the top. The outline of the slope may have been, possibly, intended for a curve; but it looks much more like three sides of a large polygon. Around the niches, seven of the faces are more or less richly decorated with a profusion of flowering foliage. The carving on some of the faces has been completed; but, on others, it is little more than half finished, while the south face is altogether plain. On the unfinished faces, portions of the unexecuted ornamentation may be seen traced in outline by the chisel, which proves, that, in ancient times, the Hindus followed the same practice as at present, of adding the carving after the wall was built.

“On the western face, the same ornamentation of flowing foliage is continued below the niche; and, in the midst of it, there is a small plain tablet, which can only have been intended for a very short inscription, such, perhaps, as the name of the building. A triple band of ornament, nearly nine feet in depth below the niches, encircles all the rest of the building, both faces and re

The middle band, which is the broadest, is formed entirely of various geometrical figures, the main lines being deeply cut, and the intervening spaces being filled with various ornaments. On some of the faces, where the spaces between the deeply-cut lines of the ruling figures are left plain, I infer that the work is unfinished. The upper band of ornamentation, which is the narrowest, is, generally, a scroll of the lotus plant, with leaves and buds only; while the lower band, which is also a lotus scroll, contains the full-blown flowers, as well as the buds. The lotus flower is represented full to the front, on all the sides except the south south-west, where it is shown in a side view with the Chakwa or Brahmani goose seated upon it. This, indeed, is the only side on which any animal representations are given; which is the more remarkable, as it is one of the recesses, and not one of the projecting faces. In the middle of the ornament there is a human figure seated on a lotus flower, and holding two branches of the lotus in his

cesses.

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