Music and the Reformation in England 1549-1660CUP Archive, 1978 M12 14 - 454 pages In the years following the Act of Uniformity in 1549, musicians seemed to thrive on the challenge of the New Prayer Book, and the successive reigns of Elizabeth I, James I and Charles I bought a rich and varied repertory of vernacular church music. Peter Le Huray traces these developments in great detail, drawing on many contemporary sources to illuminate the music and its social and religious background. |
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Peter Le Huray. THE REFORMATION IN ENGLAND 1549-1660 PETER LE HURAY CAMBRIDGE UNIVERSITY PRESS CAMBRIDGE LONDON NEW YORK MELBOURNE Published by the Syndics of the Cambridge University Press The MUSIC AND.
Peter Le Huray. THE REFORMATION IN ENGLAND 1549-1660 PETER LE HURAY CAMBRIDGE UNIVERSITY PRESS CAMBRIDGE LONDON NEW YORK MELBOURNE Published by the Syndics of the Cambridge University Press The MUSIC AND.
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... published 1967 by Herbert Jenkins Ltd , London Reprinted with corrections 1978 by the Cambridge University Press First printed in Great Britain by the Alden Press , Ltd Reprinted in Great Britain at the University Press , Cambridge ...
... published 1967 by Herbert Jenkins Ltd , London Reprinted with corrections 1978 by the Cambridge University Press First printed in Great Britain by the Alden Press , Ltd Reprinted in Great Britain at the University Press , Cambridge ...
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... his Contemporaries 274 10 William Child , his Contemporaries and the Stile Nuovo in England 340 II Published " ... for the recreation of all such as delight in Musicke ” 370 Appendices I Published " ... for the recreation of all V.
... his Contemporaries 274 10 William Child , his Contemporaries and the Stile Nuovo in England 340 II Published " ... for the recreation of all such as delight in Musicke ” 370 Appendices I Published " ... for the recreation of all V.
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Peter Le Huray. Appendices I Published " ... for the recreation of all such as delight in Musicke " 403 II Organ Music Available in Modern Editions 406 III Modern Editions 408 IV Bibliography 427 Index 443 Plates between pages 206 and 207 I ...
Peter Le Huray. Appendices I Published " ... for the recreation of all such as delight in Musicke " 403 II Organ Music Available in Modern Editions 406 III Modern Editions 408 IV Bibliography 427 Index 443 Plates between pages 206 and 207 I ...
Contents
Cathedral Choirs of the Old Foundation | 15 |
some Rubrics from the 1549 | 27 |
The Elizabethan Settlement | 31 |
The Chapel Royal | 57 |
The Chapel Royal Choir during the Reigns | 68 |
Some Performance Problems | 90 |
The Major Liturgical Sources of preRestoration | 91 |
The Main Secular Sources of preRestoration Anthems | 98 |
The Wanley PartBooks | 173 |
Edwardian and Early Elizabethan Services | 183 |
Tallis English Compositions | 195 |
Thomas Tomkins and his Contemporaries | 274 |
833 | 304 |
William Child his Contemporaries and the Stile | 340 |
91 | 356 |
Published for the recreation of all such | 370 |
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Common terms and phrases
Alleluia Almighty antiphon bass Benedictus Bishop Byrd Byrd's Cambridge Cathedral Chapel Royal choir chorus College Communion composer compositions consort song contemporaries Creed Dean and Chapter Deum Durham Durham Cathedral early Edwardian Elizabethan Evensong extant Farrant full anthems Giles Glory hath put Holy Hymn imitative instruments John Kyrie Latin Laud Litany liturgical London lute MAATB madrigals Magnificat Magnificat and Nunc manuscripts Master MATB mercy Morley motets musicians Nunc dimittis organ organist Orlando Gibbons Oxford part-books Paul's Peterhouse plainsong Praise the Lord Prayer Book pre-Restoration Preces psalter Reformation Richard Richard Farrant Robert sackbutts scored secular Services and anthems settings seventeenth centuries sing solo voices soul sources Sternhold style sung TABLE Tallis Te Deum tenor Thee Thomas Thomas Tomkins Thomas Weelkes Thou Tomkins trebles tunes un-to unto the Lord verse anthems viols Weelkes Westminster Abbey William Mundy Windsor words