Music and the Reformation in England 1549-1660CUP Archive, 1978 M12 14 - 454 pages In the years following the Act of Uniformity in 1549, musicians seemed to thrive on the challenge of the New Prayer Book, and the successive reigns of Elizabeth I, James I and Charles I bought a rich and varied repertory of vernacular church music. Peter Le Huray traces these developments in great detail, drawing on many contemporary sources to illuminate the music and its social and religious background. |
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Page v
... Byrd and his Contemporaries 227 9 Thomas Tomkins and his Contemporaries 274 William Child , his Contemporaries and the Stile Nuovo in England 340 II Published " ... for the recreation of all such as delight in Musicke ” 370 Appendices I ...
... Byrd and his Contemporaries 227 9 Thomas Tomkins and his Contemporaries 274 William Child , his Contemporaries and the Stile Nuovo in England 340 II Published " ... for the recreation of all such as delight in Musicke ” 370 Appendices I ...
Page ix
... Byrd 14 Some Sixteenth- and Early Seventeenth - Century Preces , Psalms , Responses and Litanies 15 The Wanley Part ... Byrd ( 1543–1623 ) 228 23 The Anthems of William Byrd 239 24 Morley's Anthems and Services in Verse Style 25 Anthems ...
... Byrd 14 Some Sixteenth- and Early Seventeenth - Century Preces , Psalms , Responses and Litanies 15 The Wanley Part ... Byrd ( 1543–1623 ) 228 23 The Anthems of William Byrd 239 24 Morley's Anthems and Services in Verse Style 25 Anthems ...
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Contents
Music and the English Reformation I | 1 |
The English and Sarum Forms of Service Compared | 20 |
some Rubrics from the 1549 | 27 |
The Elizabethan Settlement | 31 |
The Chapel Royal | 57 |
The Chapel Royal Choir during the Reigns | 68 |
Some Performance Problems | 90 |
The Major Liturgical Sources of preRestoration | 91 |
The Wanley PartBooks | 173 |
Edwardian and Early Elizabethan Services | 183 |
Tallis English Compositions | 195 |
Tyes English Compositions | 201 |
Mundys English Compositions | 217 |
Early Verse Anthems and Full Anthems | 224 |
The Anthems of William Byrd | 239 |
Morleys Anthems and Services in Verse Style | 259 |
The Main Secular Sources of preRestoration Anthems | 98 |
a Comparison of some Primary | 104 |
s Trends and Influences | 135 |
as it is to be sung in Churches | 157 |
Some Sixteenth and Early SeventeenthCentury | 161 |
Edwardian and Early Elizabethan Church Music | 172 |
Thomas Tomkins and his Contemporaries | 274 |
William Child his Contemporaries and the Stile | 340 |
Published for the recreation of all such | 370 |
Bibliography | 427 |
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Common terms and phrases
Abbey adapted Almighty appear bass Blessed Book boys Byrd called Cathedral century Chapel Royal Chapter choir choral chorus Christ church church music collection College common composer compositions contain contemporaries continued Dean Deum devotional early Elizabethan England English especially five four Gibbons give Glory hand hath hear heard heart Holy imitative interest John kind King later Latin least less liturgical London Lord MAATB Magnificat Mass Master MATB meanes minor Morley motets musicians Nunc dimittis organ organist original Oxford play Praise the Lord prayer Preces psalms published Reformation Richard Robert scored Service settings Short sing solo song soul sources style suggests sung TABLE Tallis tenor Thee third Thomas Thou Tomkins trebles tunes turn unto verse anthems viols voices