A History of English Dramatic Literature to the Death of Queen Anne, Volume 2Macmillan and Company, 1875 |
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Page 5
... described as an excess of enthu- siasm ; for he seems to place him at the head of contem- porary dramatists 2. This general esteem , in which the younger growth of lovers of letters seems to have shared , was probably due to the dignity ...
... described as an excess of enthu- siasm ; for he seems to place him at the head of contem- porary dramatists 2. This general esteem , in which the younger growth of lovers of letters seems to have shared , was probably due to the dignity ...
Page 12
... described by Chapman as the soul , limbs and limits of an authentical tragedy ; ' and with these lofty aims in view , he certainly produced two works of singular power , and in parts of high poetic merit . The Conspiracie , and Tragedie ...
... described by Chapman as the soul , limbs and limits of an authentical tragedy ; ' and with these lofty aims in view , he certainly produced two works of singular power , and in parts of high poetic merit . The Conspiracie , and Tragedie ...
Page 29
... described as one of the liveliest and healthiest , as it is one of the best - constructed , comedies of its age . Unlike the plays of Westward Hoe and Northward Hoe1 , with ' Peace varlet ; dost chop with me ? I say it is imagined thou ...
... described as one of the liveliest and healthiest , as it is one of the best - constructed , comedies of its age . Unlike the plays of Westward Hoe and Northward Hoe1 , with ' Peace varlet ; dost chop with me ? I say it is imagined thou ...
Page 38
... described as ' an university ' where ' men pay more dear for their wit than any where ? And later in his life ( from 1613-6 ) he seems to have spent three years in the King's Bench Prison , where he received charity from his old ...
... described as ' an university ' where ' men pay more dear for their wit than any where ? And later in his life ( from 1613-6 ) he seems to have spent three years in the King's Bench Prison , where he received charity from his old ...
Page 52
... described as the son of an esquire , which , as Mr. Halliwell has pointed out , agrees with Jonson's allusion to the respectability of his antagonist's birth . The John Marston in question again appears to be manifestly the same as the ...
... described as the son of an esquire , which , as Mr. Halliwell has pointed out , agrees with Jonson's allusion to the respectability of his antagonist's birth . The John Marston in question again appears to be manifestly the same as the ...
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acted action actors admirable appears Beaumont and Fletcher Ben Jonson borrowed Bussy d'Ambois Chapman character Charles Colley Cibber Collier comedy comic contemporary Court D'Avenant D'Avenant's death Dekker dialogue drama dramatic literature dramatists Dryden Duke Dyce Eastward Hoe edition effective Elisabethan English Epilogue fashion favour favourite French furnished Geneste genius hand hero heroic Heywood Histriomastix honour humour Italian Jane Shore Jonson kind King Lady latter literary London Lord Love's Cure lover manners Marston mask Massinger Massinger's merits Middleton Molière moral observed opera original passage passion pathos period play plot poet poetic political popular Prince printed probably produced Prologue Queen racter resemblance Restoration rhyme Richard Brome romantic satire says scene seems sentiment Shakspere Shakspere's Shirley Shirley's Spanish spirit stage story style theatre Thomas Heywood tion tragedy tragic versification wife William Rowley writers written
Popular passages
Page 300 - CALANTHA'S DIRGE. [ From the Broken Heart. ] Glories, pleasures, pomps, delights and ease. Can but please Outward senses, when the mind Is untroubled, or by peace refined. Crowns may flourish and decay, Beauties shine, but fade away. Youth may revel, yet it must Lie down in a bed of dust.
Page 77 - Shakspeare have neither child of their own, nor seem to be descended from any parent. They are foul Anomalies, of whom we know not whence they are sprung, nor whether they have beginning or ending. As they are without human passions, so they seem to be without human relations. They come with thunder and lightning, and vanish to airy musiC. This is all we know of them. Except Hecate, they have no names ; which heightens their mysteriousness.
Page 229 - Hence, all you vain delights, As short as are the nights, Wherein you spend your folly : There's nought in this life sweet If man were wise to see't, But only melancholy, O sweetest Melancholy...
Page 590 - To mind the inside of a book is to entertain one's self with the forced product of another man's brain. Now I think a man of quality and breeding may be much amused with the natural sprouts of his own.
Page 203 - All, all of a piece throughout ; Thy chase had a beast in view : Thy wars brought nothing about ; Thy lovers were all untrue. 'Tis well an old age is out, And time to begin a new.
Page 161 - Beaumont and Fletcher, of whom I am next to speak, had, with the advantage of Shakespeare's wit, which was their precedent, great natural gifts improved by study; Beaumont especially being so accurate a judge of plays that Ben Jonson, while he lived, submitted all his writings to his censure, and, 'tis thought, used his judgment in correcting, if not contriving all his plots.
Page 182 - ... scene, before he went off the stage : and then after to come forth a squire, and be made a knight : and that knight to travel between the acts, and do wonders...
Page 588 - This reflection moved me to design some characters which should appear ridiculous not so much through a natural folly (which is incorrigible, and therefore not proper for the stage) as through an affected wit : a wit which, at the same time that it is affected, is also false.
Page 76 - Those originate deeds of blood, and begin bad impulses to men. From the moment that their eyes first meet with Macbeth's, he is spell-bound. That meeting sways his destiny. He can never break the fascination. These witches can hurt the body, those have power over the soul. Hecate in Middleton has a son, a low buffoon : the hags of Shakspeare have neither child of their own, nor seem to be descended from any parent. They are foul anomalies, of whom we know not whence they are sprung, nor whether they...
Page 172 - Understand, therefore, a pastoral to be a representation of shepherds and shepherdesses with their actions and passions, which must be such as may agree with their natures, at least not exceeding former fictions and vulgar traditions...