The dramatic works.Whittingham, 1830 |
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Page 7
... Enter ANTONIO , SALARINO , and SALANIO . Antonio . IN sooth , I know not why I am so sad ; It wearies me ; you say , it wearies you ; But how I caught it , found it , or came by it , What stuff ' tis made of , whereof it is born , I am ...
... Enter ANTONIO , SALARINO , and SALANIO . Antonio . IN sooth , I know not why I am so sad ; It wearies me ; you say , it wearies you ; But how I caught it , found it , or came by it , What stuff ' tis made of , whereof it is born , I am ...
Page 8
... aspéct , That they'll not show their teeth in way of smile , Though Nestor swear the jest be laughable . 2 To vail is to lower , to let fall . From the French avaler . Enter BASSANIO , LORENZO , and GRATIANO . Salan . MERCHANT OF ACT I.
... aspéct , That they'll not show their teeth in way of smile , Though Nestor swear the jest be laughable . 2 To vail is to lower , to let fall . From the French avaler . Enter BASSANIO , LORENZO , and GRATIANO . Salan . MERCHANT OF ACT I.
Page 16
... Enter a Servant . Serv . The four strangers seek for you , madam , to take their leave and there is a fore - runner come from a fifth , the Prince of Morocco ; who brings word , the prince , his master , will be here to - night . " Por ...
... Enter a Servant . Serv . The four strangers seek for you , madam , to take their leave and there is a fore - runner come from a fifth , the Prince of Morocco ; who brings word , the prince , his master , will be here to - night . " Por ...
Page 17
William Shakespeare. SCENE III . Venice . A public Place . Enter BASSANIO and SHYLOCK . Shy . Three thousand ducats , -well . Bass . Ay , sir , for three months . Shy . For three months , -well . Bass . For the which , as I told you ...
William Shakespeare. SCENE III . Venice . A public Place . Enter BASSANIO and SHYLOCK . Shy . Three thousand ducats , -well . Bass . Ay , sir , for three months . Shy . For three months , -well . Bass . For the which , as I told you ...
Page 23
... Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd livery of the burnish'd sun , To whom I am a neighbour , and near bred . Bring me the ...
... Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd livery of the burnish'd sun , To whom I am a neighbour , and near bred . Bring me the ...
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Dramatic Works: From the Text of Johnson, Stevens and Reed; with ..., Volume 3 William Shakespeare No preview available - 1864 |
Common terms and phrases
aglets Antonio Baptista Bass Bassanio Ben Jonson BERTRAM better Bian Bianca Bion BIONDELLO Cotgrave Count daughter doth ducats Duke Enter Exeunt Exit eyes fair father fool fortune gentle gentleman give Gratiano Gremio hath hear heart heaven honour Hortensio Jessica Kate Kath KATHARINA King knave lady LAFEU Laun Launcelot look lord Love's Labour's Lost Lucentio madam maid Malone marry master means Merchant of Venice merry mistress Nerissa never old copy reads Orlando Padua Parolles Petruchio Phebe play Portia pray ring Rosalind Rousillon Salan SCENE Servant Shakspeare Shakspeare's Shylock Signior sirrah speak Steevens swear sweet tell thank thee There's thine thing thou art Touch Tranio Troilus and Cressida unto Venice Vincentio wife withal word young