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His Life and Works, IDEEN ZUR PHILOSOPHIE DER

GESCHICHTE DER MENSCHHEIT,' 'CID,' LYRICS.-

Criticisms

JEAN PAUL FRIEDERICH RICHTER.

His Life and Works, 'TITAN,' 'MISCELLANEOUS WRITINGS,'
'VORSCHULE DER ESTHETIK.'-Criticisms

GÖTHE.

His Life and Works, 'GÖTZ VON BERLICHINGEN,' 'WER-
THER'S LEIDEN,' 'IPHIGENIA AUF TAURIS,' 'EGMONT,'
'TORQUATO TASSO,' 'WAHRHEIT UND DICHTUNG,'
'WILHELM MEISTER,' 'HERMANN AND DOROTHEA,'
'WAHLVERWANDSCHAFTEN,' 'GÖTHE'S LYRICS'

FAUST.-FIRST PART (An Essay)

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THE LATE PRINCE CONSORT'S LINES
SCHILLER'S Life and Works. 'DIE RAEUBER,' "VER-
SCHWÖRUNG DES FIESCO,' 'CABALE UND LIEBE,'
'DON KARLOS.' Extracts from Schiller's Historical
Works, 'WALLENSTEIN,' 'MARIA STUART,' 'JUNGFRAU
VON ORLEANS,' 'BRAUT VON MESSINA,' 'WILHELM
TELL'.

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TO THE READER.

THIS HIS work, the result of long and conscientious labour, owes, in a great measure, its origin to the encouragement given to me, by the critical Periodicals of this country, when some years ago I published my first Essay on the subject.

Of the many difficulties I had to contend with, one of the greatest-the materials once collected-has been to give to every group its symmetrical proportions, to assign to the prominent figures their proper places, so as to enable the Reader to survey with ease the whole literary landscape like a vast panorama.

Hence the necessity for introducing order and simplicity into the arrangement; my object being not so much to write a learned work (of which there exist already many), as to produce one that should be intelligible, because concise; and thus prove practically useful to the Reader. To attain this desideratum, I have treated the subject chronologically in the various Introductory Essays, and alphabetically, as regards the Writers and their Works, in the Lists accompanying each period.

The Translations, either prepared by myself, or selected from British authors of acknowledged literary standing, will, I trust, be acceptable to the Reader.

I am anxious to express here, how deeply indebted I feel to the many gifted British interpreters of the literature of my native country, among whom the gentle sex are so conspicuously and worthily represented. The Reader will, I am sure, know how to appreciate those beautiful hymns, so well translated by MISS WENKWORTH, MISS SWANWICK'S stirringly graphic and truthful version of the passages taken from Faust, and ETA MAWR's exquisite Poem, 'Devotion.' He will, no doubt, in reading SIR EDWARD BULWER LYTTON's translations from SCHILLER, the many citations from the celebrated author of Göthe's life, Mr. LEWES, Mr. EDGAR TAYLOR's beautiful Minstrel Songs, the successful versions of German Poems given by Messrs. BOWRING, MERIVALE, KNOX, MARTIN, AYTOUN, ANSTER, HAY

WARD, COLERIDGE, IRVINE, CARLYLE, and others, endorse the generally expressed opinion as regards the intrinsic merit belonging to their translations.

Conscious of my obligations towards them all, and other British writers who so worthily keep up, in the critical Periodicals, the literary fame of a country which produced a Shakespeare, I must here express my unfeigned regret, that the limits assigned to this portion of my work, precluded the possibility of availing myself still more extensively of so many other valuable specimens of their genius, an omission unavoidable; but which I hope to make good, if spared, in the Second Volume of my Review.

I have derived also, and I acknowledge it gratefully, the utmost advantage from the excellent, deservedly appreciated, works on German Literature, of VILMAR, JULIAN SCHMIDT, MENZEL, GERVINUS, KOBERSTEIN, FINDEL, BERNAYS, Professor MAX MÜLLER, KURZ, and PÖLITZ, of DÜNTZER'S and DEYCK's erudite commentaries on 'FAUST,' but especially from the first and last mentioned writers. As a foreigner, and purposely unaided in the compiling, writing, and correcting of this work, I appeal to the indulgence of the British Reader.

We live in times when the study of Foreign Literature, has, owing to the increased intercourse between nations, become both a necessity and a duty. Nothing tends more to the spread of civilisation than reciprocal mental intercourse; for nations, who all have their merits and demerits, will, by studying one another, soon learn how to appreciate and respect each other. Gradations and varieties exist in the physical and intellectual world,-Providence willed it thus; but, in the aggregate, they form a beautifully harmonious unit. This harmony in the universe, so often ignored by man, is the Eternal Standard on which are emblazoned indelibly the words'Order, Peace, Love.' Let us, in following it, remember Schiller's words, so full of import—' Seid umschlungen Millionen.'

ROYAL MILITARY ACADEMY,

WOOLWICH.

THE AUTHOR.

December, 1862.

ARMINIUS.

AN INTRODUCTORY POEM,

WRITTEN BY THE AUTHOR.

ANN Berge und Thäler glühen,
Im rof'gen Dämmerschein:

Arminius fteigt hernieder,

Und schwebet über'm Rhein.

Es leuchtet sein Auge so düster,
Er feufzet tief und fchwer;
Sein Antlitz, voll innerem Leiden,
Ift göttergleich und hehr.

Stumm blicket umher der Cherusker,
Ruft dann mit bitter'm Hohn:
"Sind das die Germanen, vor denen
Die Römer einft gefloh'n?

"Einst fochten die alten Teutonen,
Mit Kolbe, Streitaxt, Schwert
Beim ew'gen Wodan, die waren

Des deutschen Namens werth!

"Sie sangen, dafs mächtig erdröhnten

Wald, Hain und Felfenkluft;

Das fchreckte die wilden Geier
Im Horft und in der Luft.

"Noch jetzt zu den feligen Höhen, Steigt Sang und Rauch empor; Doch zieh'n wir der ewigen Leier Die Schwerterklänge vor."

Die Stimme des greifen Cheruskers
Durch Deutschlands Gauen hallt,
Sie wecket die alten Kämpen
Im Teutoburger Wald.

Die steigen empor aus den Grüften,
Drauf fingen fie im Chor;
O drängen die Worte mahnend
In jedes deutsche Ohr!

Sie fingen mit donnernder Stimme, (Es horcht die Loreley),

Vom Volke einft grofs und mächtig, Den Barden ftark und frei!

Von Varus und feinen Legionen,
Der blut'gen Römerschlacht,
Von längst verklungenen Sagen

Des alten Reiches Pracht!

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