"My Mother, sweet Mother, then bid him come in, "He bringeth a treasure more lustrous than gold, CHARADE. A. We have furl'd our sails, we have moor'd our bark, Beneath St. Elmo's fortress dark; Ave Maria! thy guardian hand Has brought us safe to Valetta's strand! Tho' those howling blasts and that rolling main So now our first step on shore we turn, Where the censer smokes and the altar lights burn In the church of St. John of Jerusalem. Where in their marble panoply The grim old red-cross warriors lie, We'll thank our Ladie for her aid,In the long drawn aisle Of the Gothic pile This day our first shall be duly said. Spread we the onward sail again, And seek we Syria's sun-burnt strand; Farewell for a while to the christian strain, For the Moslem rules in Holy Land. Yet my second hath witness'd full oft the might Skull upon skull and bone upon bone, He leans upon his staff, bowed down with bitter grief and pain, Then grasped the father's hand the youngest son with pressure warm: "O let me in the combat prove the strength that nerves my arm!" "O Son, the foeman's giant strength what valour can withstand? And yet, right noble pith bespeaks the pressure of thy hand. Bring then the trusty blade, the theme of many a Scald's high praise; And should'st thou fall, in yonder flood may end my weary days!" And hark! the boat rides o'er the sea, with rushing, foaming sound. The blind King stands with listening ear, and all are still around; Till sounds of clashing sword and shield come from the other shore, And battle-cries, and shouts of rage, and Echo's hollow roar. The old man calls in fearful joy, "Say, what may now be seen? My sword, I know its warlike tone, it rings so clear and keen." "The Robber falls! a bloody grave his meet reward shall be. Hail, best of champions, valiant Prince! hail, spirit bold and free!" And all is still; the King now stands with listening, anxious ear. "What comes so fast across the sea? the rush of oars I hear." Thy gallant son, with sword and shield, rows swiftly o'er the water, And with him, in her sun-bright hair, Gunilda comes, thy daughter." From the high cliff the blind old man shouts "Welcome" o'er the wave. "Bliss in my age I now shall find, and honour in my grave. My son, beside me lay the sword with tone so clear and strong! And thou, Gunilda, rescued one, sing thou my funeral song." Miscellaneous. ANONYMOUS CORRESPONDENCE. Or all detestable things this is the most odious:Friend may censure friend, foe may vent his spleen, but let it never be done under the cover, of anonymous writ ing. It is indeed a sneaking world, a cowardly world, for it kills more from behind a shelter than it dare attack in the open plain: but what dear ties have either been sundered or loosened by this fiend of mischief; what hopes of love blighted, what deeds of charity delayed, what virtues, the most exalting and dignifying to hu man nature, sullied, by this foul invisible spirit! Friendships over which time could exercise no control,which distance or poverty could not shake or alter,— have been for ever chilled by suspicion, or completely destroyed by anonymous malice. Neither shall they be wholly guiltless who believe these secret calumniators of a man's character. Truth, be it remembered, requires no covert, no alteration of garb, for how possibly can it assume a lovelier one than its own? Burn, then, these unauthorised epistles; look for the signature before you glance at the matter; and thus this enemy of truth and plain dealing (for such is the anonymous correspondent) will be foiled in his attempt to pervert innocence, and your own bosom will still have the satisfaction of think ing well of those friends and neighbours whom this demon of mischief would destroy.—Walter Kemp. N.B.-A Stamped Edition of this Periodical can be forwarded free of postage on application to the Publisher, for the convenience of parties residing at a distance, 2s. 6d. per quarter. INDEX. A. Carpenter and the Magic Statue, 413. Childhood, 32. Child's Lament, A, 208. Chivalry in England, Rise and Decline of, Christmas, Lines written at, 48. Clothes Moth, The, 210. Coffee, Nutriment in, 382. Coloured Glass and Enamel, 17. Country Sketches, 236, 254, 267, 311, 363, Court, my First Visit to, 344. Court of Star Chamber, The, 297, 327. D. Damascus, Journey to, 299. Decorations of New Houses of Parliament, Description of an Old Garden, 159. Diary of a Journey from Alexandria to Diary of a Wiltshire Curate, passages from Discovery of the Steam Engine, 74. Distance of the Earth from fixed Stars, Domestic Life, Sketch of, 315, 332, 342. Doom of our World, 382. F. False Merchant, The, 14. Far, far away, 192. Father Eustace, 199. Feet of the Chinese Women, 112. Finland, an Adventure in the Gulf of, 296. Flood at Dresden, Account of Great, 98, Footsteps before the Flood, 382. Fortune's Wanderings in China, 141. Frederick Halm, 380. Fury, Loss of Her Majesty's Ship, 41. Gigantic Bird Nests, 381. Glass Manufacture, 148, 170, 188. Grave of Isaac Walton, 236. Great Events from Little Causes, 130. Guizot, Life and Writings of Madame, 153, Guizot, Moral Reflections, 300, 310. H. Halm, Memoir of Frederick, 880. Hampden, Autumn Morning at, 311. Hannah Lawrence, 71. Harem, Interior of a, 351. Harper, The, 145. Hastings, Battle of, 354. Hearing, on Sound and the Sense of, 89. Henri de Nemours, or, Fraternal Affection, Hertingfordbury, Village of, 267. Hever, Summer's Morning at, 254. House where Shakspeare was born, 302. I. Icebergs, Approach of, 383. Insects, the Temperature of, 312. Iron, Manufacture of, 29, 34, 54. Italian Peasant Girl in Prison, 81. J. Journal of a Diary from Alexandria to K. Kenilworth Castle, 391. L. Lancashire, Sketch of Men and Manners Last Days of Eton Montem, 233. Leeches in Scinde, Mode of Breeding, 208. Life and Writings of Mad. Guizot, 153, 168, Life, A Parable of, 410. Life, A Sketch from, 128. Light, Velocity of, 382. Lines addressed to an English Lady, 160. Lines written at Christmas, 48. Little Printer, The, 393. M. Maiden Aunt, The, 308, 338, 373, 387, 406. Malines, Rambles in, 206. Malmesbury Abbey Church, Remains of, 321. Man, Insignificance of, 383. Manufacture of Glass, The, 148, 170, 188. Merchant, The False, 14. Mode of Breeding Leeches in Scinde, 208. Moral Reflections, by M. Guizot, 300, 310. Music, Superiority of Vocal over Instru- Mysteries of Vegetable Life, 178. The Blind King, 416. The Brothers' Adventure, 368. The Churchyard, 336. The Cottage Home, 50. The Deaf Girl, 304. The Dumb Girl, 368. The Exiles, 319. The Grave, 400. The Harper, 145. The Lay of the Sword, 304. The Return of the Sennerin, 16. The Summer is Over, 288. The Vision of St. John's Eve, 176. The Yellow Leaf, 160. To, on reading some of her former True Walter, 32. Potato, Introduction of into Paris, 365. Public Writer, The, or the Effects of Punishments, Equality of, 410. Readings in History, 258, 297, 327. Reading the Will, 33. Readers, Address to our, 409. Remains of Malmesbury Abbey Church, 320. Return of the Sennerin, The, 16. Allan Cunningham's Poems, 110. mascus, 299. Father Eustace, 199. Fortune's China," 141. Simpson's Voyage round the World, 263, 281. Spratt and Forbes's "Lycia."61, 77. Sea, 143. Reynolds, Sir Joshua. Memoir of, 12. 150, 183. Royal Academy, Exhibition of, 106. Sailors' Pranks, 536. S. Salisbury Plain, Great Mystery of. 216. Sennerin, The Return of the, 16. Serpents. The Fascinating Power of, 274. Siberia, Absence of Snow in, $81. Simpson's Voyage Round the World, 263, 281. Sketches, Biographical, of Eminent Paint- ers, 12, 47. Sketches of the Traditions of Germany, 82, |