Milton and the Miltonic DrydenHarvard University Press, 1968 - 238 pages |
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Page 195
... Antony's concern with their placing in the grammar of his first sentence and with their " sound . " When he reaches his confession of " guilt , " again his attention is given to finding words for it , or rather to the failure of ...
... Antony's concern with their placing in the grammar of his first sentence and with their " sound . " When he reaches his confession of " guilt , " again his attention is given to finding words for it , or rather to the failure of ...
Page 209
... Antony's lines here do not sound as simply and physically weary as those of Shakespeare's Antony : " Unarm me , Eros . The long day's task is done , / And we must sleep " [ IV , xiv , 35-36 ] . Dryden's hero gives a political ...
... Antony's lines here do not sound as simply and physically weary as those of Shakespeare's Antony : " Unarm me , Eros . The long day's task is done , / And we must sleep " [ IV , xiv , 35-36 ] . Dryden's hero gives a political ...
Page 236
... Antony and Cleopatra , I , iii , 75-85 . Related im- ages for Antony's lack of an essential identity are those of the clouds ( IV , xiv , 2-14 ) and the shadow ( IV , ii , 27 ) , which may have suggested to Dryden Antony's fantasy of ...
... Antony and Cleopatra , I , iii , 75-85 . Related im- ages for Antony's lack of an essential identity are those of the clouds ( IV , xiv , 2-14 ) and the shadow ( IV , ii , 27 ) , which may have suggested to Dryden Antony's fantasy of ...
Contents
PART ONE Paradise Lost | 19 |
Satanic Rhetoric | 41 |
The Restorative Power of Eloquence | 94 |
Copyright | |
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Absalom and Achitophel action Adam Adam and Eve allusion angels Antony Antony's associated attitudes beginning Biblical blind body Book characters Chorus claims Cleopatra comparison contrast created death defined described discussed divine Dryden earlier echo effect eloquence epic especially example experience expressed Fall fallen feelings figure final force gives hear Heav'n hero heroic human implies innocence interpretation kind language later lines literary literature Love manner meanings metaphor Milton's moral narrator nature opening original Paradise Lost parallels parody passage pattern perhaps phrase physical play poem poet poetry political present qualities reader recognize refer represented restored rhetoric Samson Agonistes Satan satire scene seems sense separation shows silence social society soliloquy sound speak speech story style suggests talk temptation thee thou tion Tiresias titles traditional Ventidius words writing