King Lear: Third SeriesBloomsbury Publishing, 2014 M09 25 - 455 pages 'By far the best edition of King Lear - in respect of both textual and other matters - that we now have.'John Lyon, English Language Notes'This volume is a treasure-trove of precise information and stimulating comments on practically every aspect of the Lear-universe. I know of no other edition which I would recommend with such confidence: to students, professional colleagues and also the 'educated public'.'Dieter Mehl, Shakespeare Jahrbuch, vol 134 |
From inside the book
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Page 2
... scene , which ends in " gin and peppermint . " Scene II . - Charley Grey and Mack . Ebony , the boot black . Ebony's advice . Guy Lester , the octoroon . Toomstone quiet . " Slaves , runaway niggers . " Ebony keeps his eyes open . Scene ...
... scene , which ends in " gin and peppermint . " Scene II . - Charley Grey and Mack . Ebony , the boot black . Ebony's advice . Guy Lester , the octoroon . Toomstone quiet . " Slaves , runaway niggers . " Ebony keeps his eyes open . Scene ...
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... Scene i Scene ii Scene iii Scene iv Act II Scene i Scene ii Scene iii Scene iv Act III Scene i Scene ii Act IV Scene i Scene ii Act V Scene i Scene ii Scene iii Scene iv The Epilogue Supplementary notes Textual analysis.
... Scene i Scene ii Scene iii Scene iv Act II Scene i Scene ii Scene iii Scene iv Act III Scene i Scene ii Act IV Scene i Scene ii Act V Scene i Scene ii Scene iii Scene iv The Epilogue Supplementary notes Textual analysis.
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S S. Bodkin. CONTENTS . Page . A SCENE AT MANCHESTER A SCENE IN A THEATRE 7 10 A SCENE AT HIGHGATE . 13 A SCENE IN WESTMORELAND 16 A SCENE IN ST . MARTIN'S HALL . 18 A SCENE AT JOPPA A SCENE IN CLERKENWELL A SCENE AT THE CRYSTAL PALACE . A ...
S S. Bodkin. CONTENTS . Page . A SCENE AT MANCHESTER A SCENE IN A THEATRE 7 10 A SCENE AT HIGHGATE . 13 A SCENE IN WESTMORELAND 16 A SCENE IN ST . MARTIN'S HALL . 18 A SCENE AT JOPPA A SCENE IN CLERKENWELL A SCENE AT THE CRYSTAL PALACE . A ...
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... Scenes in Volume One are suitable for a general audience . Scenes in Volume Two include themes and language that will challenge mature readers . Once a scene has been chosen , reading the entire play will help you to gain a deeper ...
... Scenes in Volume One are suitable for a general audience . Scenes in Volume Two include themes and language that will challenge mature readers . Once a scene has been chosen , reading the entire play will help you to gain a deeper ...
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... SCENE III . Holyrood . SCENE IV . The Presence Chamber SCENE V. The Same . • March 9 , 1566 . • March 12 , 1566 . • March 20 , 1566 . ACT II SCENE I. Whittinghame • January 20 , 1567 . SCENE II . The Canongate , Edinburgh · February 10 ...
... SCENE III . Holyrood . SCENE IV . The Presence Chamber SCENE V. The Same . • March 9 , 1566 . • March 12 , 1566 . • March 20 , 1566 . ACT II SCENE I. Whittinghame • January 20 , 1567 . SCENE II . The Canongate , Edinburgh · February 10 ...
Contents
1 | |
KING LEAR | 153 |
Two textual problems | 393 |
Lineation | 403 |
Abbreviations and references | 416 |
Index | 430 |
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Common terms and phrases
action Albany appears arms audience authority becomes calls Capell changes character comes Cordelia Cornwall daughters death Duke Edgar edited Edmund effect Enter Exit eyes F lines father feel Folio follow Fool forces France give Gloucester Gloucester's gods Goneril hand hath head heart Holinshed Hunter idea Introduction Kent kind King Lear knights land later Lear's letter look lord mark matter meaning mind nature never notes omitted opening Oswald perhaps play Poor possible present printed production prose Q and F Quarto reading recalling reference Regan relation role scene seems seen sense servant Shakespeare shows sister speak speech stage stand suffering suggests thee Theobald thing thou tion turn