King Lear: Third SeriesBloomsbury Publishing, 2014 M09 25 - 455 pages 'By far the best edition of King Lear - in respect of both textual and other matters - that we now have.'John Lyon, English Language Notes'This volume is a treasure-trove of precise information and stimulating comments on practically every aspect of the Lear-universe. I know of no other edition which I would recommend with such confidence: to students, professional colleagues and also the 'educated public'.'Dieter Mehl, Shakespeare Jahrbuch, vol 134 |
From inside the book
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Page 4
... mind as read , and on the stage as acted ; reading a play and seeing it acted are two different but equally valid and valuable experiences . Shakespeare's fellowactors provided in the First Folio of his works a text for readers , and ...
... mind as read , and on the stage as acted ; reading a play and seeing it acted are two different but equally valid and valuable experiences . Shakespeare's fellowactors provided in the First Folio of his works a text for readers , and ...
Page 16
Third Series William Shakespeare R.A. Foakes. Image removed - rights not available James had sons in mind as heirs , not daughters.
Third Series William Shakespeare R.A. Foakes. Image removed - rights not available James had sons in mind as heirs , not daughters.
Page 17
... mind contemporary maps such as those of Christopher Saxton , which visibly represented 1 No character suggests Lear's actions might be illegal , but I think it would have been impolitic , to say the least , for Shakespeare to introduce ...
... mind contemporary maps such as those of Christopher Saxton , which visibly represented 1 No character suggests Lear's actions might be illegal , but I think it would have been impolitic , to say the least , for Shakespeare to introduce ...
Page 26
... mind when he began directing his production , and may have been influenced by Jan Kott's Shakespeare our Contemporary ( English version 1964 ) , in which King Lear is viewed , through the prism of the Theatre of Cruelty , and ...
... mind when he began directing his production , and may have been influenced by Jan Kott's Shakespeare our Contemporary ( English version 1964 ) , in which King Lear is viewed , through the prism of the Theatre of Cruelty , and ...
Page 32
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Contents
1 | |
KING LEAR | 153 |
Two textual problems | 393 |
Lineation | 403 |
Abbreviations and references | 416 |
Index | 430 |
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Common terms and phrases
action Albany appears arms audience authority becomes calls Capell changes character comes Cordelia Cornwall daughters death Duke Edgar edited Edmund effect Enter Exit eyes F lines father feel Folio follow Fool forces France give Gloucester Gloucester's gods Goneril hand hath head heart Holinshed Hunter idea Introduction Kent kind King Lear knights land later Lear's letter look lord mark matter meaning mind nature never notes omitted opening Oswald perhaps play Poor possible present printed production prose Q and F Quarto reading recalling reference Regan relation role scene seems seen sense servant Shakespeare shows sister speak speech stage stand suffering suggests thee Theobald thing thou tion turn