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Gent. Your lady, sir, your lady; and her sister By her is poisoned ; she hath confessed it.1

Edm. I was contracted to them both; all three Now marry in an instant.

Alb. Produce their bodies, be they alive or dead !-This judgment of the Heavens, that makes us tremble, Touches us not with pity.

[Exit Gentleman.

Enter KENT.


Here comes Kent, sir.
Alb. 0! it is he.
The time will not allow the compliment,
Which very manners urges.

I am come
To bid my king and master aye good night;
Is he not here?

Great thing of us forgot!
Speak, Edmund, where's the king ? and where's Cor-

delia ? Seest thou this object, Kent ?

[The bodies of GONERIL and Regan are

brought in Kent. Alack, why thus ? Edm.

Yet Edmund was beloved. The one the other poisoned for my sake, And after slew herself.

Alb. Even so.--Cover their faces.

Edm. I pant for life :-Some good I mean to do,
Despite of mine own nature. Quickly send-
Be brief in it--to the castle, for my writ
Is on the life of Lear, and on Cordelia.
Nay, send in time.

Run, run, O, run
Edg. To whom, my lord ?--Who has the office? send
Thy token of reprieve.

Edm. Well thought on; take my sword, Give it the captain.

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1 Thus the quarto. The folio reads " she confesses it."



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Alb. Haste thee, for thy life. [Exit EDGAR.

Edm. He hath commission from thy wife and me To hang Cordelia in the prison, and To lay the blame upon her own despair, That she fordid' herself. Alb. The gods defend her! Bear him hence awhile.

[EDMUND is borne off.

Enter LEAR, with CORDELIA dead in his arms;? EDGAR,

Officer, and others.

Lear. Howl, howl, howl, howl !-0, you are men

of stones;

Had I your tongues and eyes, I'd use them so
That heaven's vault should crack.--0, she is gone for-

I know when one is dead, and when one lives;
She's dead as earth.--Lend me a looking-glass ;
If that her breath will mist or stain the stone,
Why, then she lives.

Is this the promised end ? 3
Edg. Or image of that horror ?

Fall, and cease!
Lear. This feather stirs; she lives! if it be so,
It is a chance that does redeem all sorrows
That ever I have felt.

O my good master! [Kneeling.
Lear. 'Prythee, away,

'Tis noble Kent, your friend.
Lear. A plague upon you, murderers, traitors all !


1 To fordo signifies to destroy. It is used again in Hamlet.

2 The old historians say that Cordelia retired with victory from the battle, which she conducted in her father's cause, and thereby replaced him on the throne ; but in a subsequent one fought against her (after the death of the old king), by the sons of Regan and Goneril, she was taken, and died miserably in prison. Geoffrey of Monmouth, the original relater of the story, says that she killed herself.

3 Kent, in contemplating the scene before him, recollects those passages of St. Mark's Gospel, in which Christ foretells to his disciples the end of the world; and hence his question. To which Edgar adds, or only a representation or resemblance of that horror.

4 To cease is to die. “Rather fall, and cease to be at once, than con tinue in existence only to be wretched.”


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The same;

I might have saved her; now she's gone forever!
Cordelia, Cordelia, stay a little. Ha !
What is’t thou say’st ?Her voice was ever soft,
Gentle, and low; an excellent thing in woman.----
I killed the slave that was a-hanging thee.

Off. 'Tis true, my lords, he did.

Did I not, fellow?
I have seen the day, with my good biting falchion,
I would have made them skip; I am old now.---
And these same crosses spoil me.--Who are you?
Mine eyes are none o’the best.—I'll tell you straight.

Kent. If Fortune brag of two she loved and hated,
One of them we behold.

Lear. This is a dull sight:? Are you not Kent?

Your servant Kent. Where is your servant Caius?

Lear. He's a good fellow, I can tell you that ;
He'll strike, and quickly too. He's dead and rotten.

Kent. No, my good lord, I am the very man ;-
Lear. I'll see that straight.

Kent. That, from your first of difference and decay,
Have followed your sad steps.

You are welcome hither.
Kent. Nor no man else ; all's cheerless, dark, and

Your eldest daughters have fore-doomed themselves,
And desperately are dead.

Ay, so I think.
Alb. He knows not what he sees; 4 and vain it is
That we present us to him.

Very bootless.

1 “If Fortune, to display the plenitude of her power, should brag of two persons, one of whom she had highly elevated, and the other she had wofully depressed, we now behold the latter." The quarto reads, “ She loved or hated," which confirms this sense.

2 Lear means that his eyesight was bedimmed either by excess of grief, or, as is usual, by the approach of death.

3 Thus the quartos: the folio reads foredone, which is probably right, See note 1, on page 130.

4 The quarto reads says.

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Of. Edmund is dead, my lord.

That's but a trifle here.
You lords, and noble friends, know our intent.
What comfort to this great decay? may come,
Shall be applied. For us, we will resign,
During the life of this old majesty,
To him our absolute power.—You, to your rights,

With boot, and such addition as your honors
Have more than merited. 2 --All friends shall taste
The wages of their virtue, and all foes
The cup of their deservings..0, see, see!

Lear. And my poor fool is hanged!3 No, no, no life;
Why should a dog, a horse, a rat, have life,
And thou no breath at all? O, thou wilt come no more,
Never, never, never, never, never !
'Pray you, undo this button : 4 thank you, sir.--
Do you see this ?--Look on her,---look - her lips---
Look there, look there!-

[He dies. Edg.

He faints !--My lord, my lord,
Kent. Break, heart; I pr’ythee, break!

Look up, my lord.
Kent. Vex not his ghost: 0, let him pass! he hates

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That would upon the rack of this tough world
Stretch him out longer.

0, he is gone indeed. Kent. The wonder is, he hath endured so long ; He but usurped his life.

Alb. Bear them from hence.--Our present business


1 “ This great decayis Lear.

2 These lines are addressed to Kent as well as to Edgar. Boot is advantage, increase. By honors is meant honorable conduct.

3 This is an expression of tenderness for his dead Cordelia (not his fool, as some have thought), on whose lips he is still intent, and dies while he is searching there for indications of life. Poor fool," in the ago

of Shakspeare, was an expression of endearment. 4 T'he Rev. Dr. J. Warton judiciously observes, that the swelling and heaving of the heart is described by this most expressive circumstance.


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Is general woe. Friends of my soul, you twain

[To KENT and EDGAR. Rule in this realm, and the gored state sustain.

Kent. I have a journey, sir, shortly to go; My master calls, and I must not say no.

Alb. The weight of this sad time we must obey; Speak what we feel, not what we ought to say. The oldest hath borne most; we, that are young, Shall never see so much, nor live so long.

[Exeunt, with a dead march.

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The tragedy of Lear is deservedly celebrated among the dramas of Shakspeare. There is, perhaps, no play which keeps the attention so strongly fixed; which so much agitates our passions, and interests our curiosity. The artful involutions of distinct interests, the striking oppositions of contrary characters, the sudden changes of fortune, and the quick succession of events, fill the mind with a perpetual tumult of indignation, pity, and hope. There is no scene which does not contribute to the aggravation of the distress or conduct of the action, and scarce a line which does not conduce to the progress of the scene. So powerful is the current of the Poet's imagination, that the mind, which once ventures within it, is hurried irresistibly along.

On the seeming improbability of Lear's conduct, it may be observed, that he is represented according to histories at that time vulgarly received as true. And, perhaps, if we turn our thoughts upon the barbarity and ignorance of the age to which this story is referred, it will appear not so unlikely as while we estimate Lear's manners by our own. Such preference of one daughter to another, or resignation of dominion on such conditions, would be yet credible if told of a petty prince of Guinea or Madagascar. Shakspeare, indeed, by the mention of his earls and dukes, has given us the idea of times more civilized, and of life regulated by softer manners; and the truth is, that, though he so nicely discriminates, and so minutely describes, the characters of men, he commonly neglects and confounds the characters of ages, by mingling customs ancient and modern, English and foreign.

My learned friend, Mr. Warton, who has, in The Adventurer, very minutely criticised this play, remarks, that the instances of cruelty are too savage and shocking, and

that the intervention of Edmund destroys the simplicity of the story. These objections may, I think, be answered by repeating that the cruelty of the daughters is an historical fact, to which the Poet has added little, having only drawn it into a series of dialogue and action. But I am not able to apologize with equal plausibility for the extrusion of Gloster's eyes, which seems an act too horrid to be endured in dramatic exhibition, and such as must always compel the mind to relieve its distress by incredulity. Yet let it be remembered that our author well knew what would please the audience for which he wrote.

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