The Works of Richard Hurd, Lord Bishop of Worcester: Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Page 12
... genius or passion , under the conduct of a natu- ral ear , becomes the labour of the closet , and is conducted by artificial rules ; yet still , with a secret reference to the sense of hearing , and to that acceptation which melodious ...
... genius or passion , under the conduct of a natu- ral ear , becomes the labour of the closet , and is conducted by artificial rules ; yet still , with a secret reference to the sense of hearing , and to that acceptation which melodious ...
Page 20
... we may take up with half - formed pleasures , such as come first to hand , and may be administered by any body : But true taste requires chaste , severe , and simple pleasures ; and true genius will only be 20 ON THE IDEA OF.
... we may take up with half - formed pleasures , such as come first to hand , and may be administered by any body : But true taste requires chaste , severe , and simple pleasures ; and true genius will only be 20 ON THE IDEA OF.
Page 21
Richard Hurd. and simple pleasures ; and true genius will only be concerned in administering such . in Lastly , on the same principle on which we have decided on these questions concerning the absolute merits of poems in prose , all ...
Richard Hurd. and simple pleasures ; and true genius will only be concerned in administering such . in Lastly , on the same principle on which we have decided on these questions concerning the absolute merits of poems in prose , all ...
Page 22
... genius of languages , these methods will be different , the studious application of such methods , as each particular language allows , becomes a necessary part of his office . He will only cultivate those methods most , which tend to ...
... genius of languages , these methods will be different , the studious application of such methods , as each particular language allows , becomes a necessary part of his office . He will only cultivate those methods most , which tend to ...
Page 47
... , then , the reason why Tragedy prefers real subjects , and even old ones ; and , on the contrary , why comedy delights in feigned subjects , and new . The same genius in the two dramas is ob- servable THE DRAMA . 47 .
... , then , the reason why Tragedy prefers real subjects , and even old ones ; and , on the contrary , why comedy delights in feigned subjects , and new . The same genius in the two dramas is ob- servable THE DRAMA . 47 .
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action admiration Aelian Aeneis affections allusion ancient appear Aristotle authority beauty cerned character chuses circumstances comedy comic common copied critic degree delight disposition doth drama draught end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned least Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern moral nature nihil numbers object observation occasion original Pagan particular passion peculiar perhaps persons picture plagiarism Plato Plautus pleasure poem poet poet's poetical Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species Statius taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil VOLPONE WILLIAM JEPHSON words καὶ
Popular passages
Page 246 - Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal ; but when lust By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Page 258 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all ; Sole judge of truth, in endless error hurl'd; The glory, jest, and riddle of the world!
Page 245 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
Page 274 - May plume her feathers and let grow her wings, That in the various bustle of resort Were all too ruffled, and sometimes impair'd...
Page 247 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Page 292 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 258 - When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening
Page 249 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.
Page 277 - Than reason above beasts before ; Virtue was thy life's centre, and from thence Did silently and constantly dispense The gentle vigorous influence To all the wide and fair circumference...
Page 284 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.