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IN THE HISTORY OF ART
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accepted ancient Aristotelianism artists attempt Baroque beginning believe body Burckhardt Cambridge cause Christian civilization classical close conception concerned considered contemporaries continued contributions criticism cultural discuss documents Duhem early effect English explained expressed fact fifteenth Florence followed force formal France French Galileo geometry Greek hand historians humanism humanists ideas important individual intellectual interest interpretation Italian Italy late later learning least less literary literature London mean mechanics medieval method Middle Ages moral motion move movement natural never object Oresme origin pagan painting Paris past Perhaps period philosophy physics political position present problems Professor published question reason recent relation religious Renais Renaissance result sance scholars School seems sixteenth century spirit style Symonds theory thought tion tradition turn University vols volume whole writings York