ACT III. SCENE V. Line 579. -his conversation-] i. e. familiar intercourse. The phrase criminal conversation is yet in daily use. MALONE. ACT III. SCENE VI. -seen in thought.] That is, seen in silence, Line 676. without notice or detection. JOHNSON. ACT III. SCENE VII. Baynard's Castle.) A castle in Thames-street, which had belonged to Richard duke of York, and at this time was the property of his grandson King Edward V. MALONE. Line 724. intend some fear:] Perhaps, pretend; though intend will stand in the sense of giving attention. JOHNSON. Line 733. As I can say nay to thee-) Buckingham is to plead for the citizens; and if (says Richard) you speak for them as plausibly as I in my own person, or for my own purposes, shall seem to deny your suit, there is no doubt but we shall bring all to a happy issue. STEEVENS. Line 760. -787. by. to engross-] To fatten; to pamper. JOHNS. to know a holy man.] i. e. to know a holy man MALONE. Line 822. 858. And much I need to help you,] And I want much of the ability requisite to give you help, if help were needed. Which to recure,] i. e. to recover. JOHNSON. Line 908. effeminate remorse,] i. e. pity. -948. Farewell, good cousin;-farewell, gentle friends.] To this act should, perhaps, be added the next scene, so will the coronation pass between the acts; and there will not only be a proper interval of action, but the conclusion will be more forcible, JOHNSON. ACT IV. SCENE I. Line 35. I may not leave it so ;) That is, I may not so resign my office, which you offer to take on you at your peril. JOHNSON. Line 74. Were red-hot steel, to sear me to the brain!] This was the ancient mode of punishing a regicide, or any other great criminal, viz. by placing a crown of iron, red-hot, upon his head. Line 100. But with his timorous dreams-] 'Tis recorded by Polydore Virgil, that Richard was frequently disturbed by terrible dreams: this is therefore no fiction. JOHNSON. Line 122. Rude ragged nurse! old sullen play-fellow-] To call the Tower nurse and play-fellow is very harsh: perhaps part of this speech is addressed to the Tower, and part to the lieu tenant. JOHNSON. ACT IV. SCENE II. Line 134. -now do I play the touch,] To play the touch, is to represent the touchstone. No emendation is necessary. STEEV. Line 164. And unrespective boys;] Unrespective is inattentive, taking no notice, inconsiderate. STEEVENS. Line 171. close exploit-] Is secret act. JOHNSON. 246. A king!-perhaps From hence to the words, Thou troublest me, I am not in the vein have been left out ever since the first editions, but I like them well enough to replace them. POPE. The allusions to the plays of Henry VI. are no weak proofs of the authenticity of these disputed pieces. JOHNSON. Line 268. Because that, like a Jack, &c.] An image, like those at St. Dunstan's-church in Fleet-street, and at the markethouses at several towns in this kingdom, was usually called a Jack of the clock-house. See Cowley's Discourse on the Government of Oliver Cromwell. Richard resembles Buckingham to one of those automatons, and bids him not suspend the stroke on the clockbell, but strike, that the hour may be past, and himself be at liberty to pursue his meditations. Sir JOHN HAWKINS. ACT IV. SCENE III. Line 341. fearful commenting Is leaden servitor) Timorous thought and cautious disquisition are the dull attendants on delay. JOHNSON. ACT IV. SCENE IV. Line 352. -dire induction) Induction is preface, introduction, first part. JOHNSON. Line 364. say, that right for right-] This is one of those conceits which our author may be suspected of loving better than propriety. Right for right, is justice answering to the claims of justice. JOHNSON. Line 390. seniory,] For seniority. JOHNSON. -414. And makes her pew-fellow-] Pew-fellow seems to be companion. We have now a new phrase, nearly equivalent, by which we say of persons in the same difficulties, that they are in the same box. JOHNSON. Line 422. Young York he is but boot,] Boot is that which is thrown in to mend a purchase. JOHNSON. Line 457. Decline all this,] i. e. run through all this from first to last. MALONE. Line 493. Airy succeeders of intestate joys,] i. e. words, tuned to complaints, succeed joys that are dead; and unbequeathed to them, to whom they should properly descend. THEOBALD. Line 509. - that ow'd that crown,] i. e. that owned or possessed it. Line 529. -a touch of your condition,] A spice or particle of your temper or disposition. Line 544. Tetchy-] i. e. peevish. JOHNSON. -552. That ever grac'd me-] To grace seems here to mean the same as to bliss, to make happy. So gracious is kind, JOHNSON. and graces are favours. Line 553. Humphrey Hour,] This may probably be an allusion to some affair of gallantry of which the dutchess had been suspected. I cannot find the name in Holinshed. Surely the poet's fondness for a quibble has not induced him at once to personify and christen that hour of the day which summoned his mother to breakfast? STEEVENS. Line 577. Shame serves thy life,] To serve is to accompany, servants being near the persons of their masters. JOHNSON. Line 581. Stay, madam,] On this dialogue 'tis not necessary to bestow much criticism: part of it is ridiculous, and the whole improbable. JOHNSON. Line 607. All unavoided &c.] i. e. unavoidable. MALONE. -641. The high imperial type-) Type is exhibition, shew, display. JOHNSON. Line 644. Canst thou demise-] To demise is to grant, from demittere, to devolve a right from one to another. STEEVENS. Line 683. -as sometime Margaret-) Here is another re ference to the plays of Henry VI. JOHNSON. Line 700. Nay, then indeed, she cannot chuse but have thee,] The sense seems to require that we should read, ,ironically. Line 701. but love thee, TYRWHITт. bloody spoil.] Spoil is waste, havock. JOHNs. -717. Endur'd of her,] Of in the language of Shakspeare's age was frequently used for by. MALONE. Line 717.bid like sorrow.] Bid is in the past tense from bide. JOHNSON. Line 737. Advantaging their loan, with interest Of ten-times-double gain of happiness.] The tears that you have lent to your afflictions shall be turned into gems; and requite you by way of interest, with happiness twenty times as great as your sorrows have been. THEOBALD. Line 857. And be not peevish found) Peerish, in our author's MALONE. time, signified foolish. Line 883. Some light-foot friend post to the duke-] Richard's precipitation and confusion is in this scene very happily represented by inconsistent orders, and sudden variations of opinion. Line 971. JOHNSON. - more competitors-) That is, more opponents. JOHNSON. ACT IV. SCENE V. Line 1015. Sir Christopher, tell Richmond this from me:] The person, who is called sir Christopher here, and who has been stiled so in the Dramatis Persona of all the impressions, I find by the chronicles to have been Christopher Urswick, a bachelor in divinity; and chaplain to the countess of Richmond, who had intermarried with the lord Stanley. This priest, the history tells us, frequently went backwards and forwards, unsuspected, on messages betwixt the countess of Richmond, and her husband, and the young earl of Richmond, whilst he was preparing to make his descent on England.. THEOBALD. Dr. Johnson has observed, that sir was anciently a title assumed by graduates. Which opinion is confirmed by Mr. Mason. ACT V. SCENE I. Line 22. Is the determind respite of my wrongs.] Wrongs in this line means wrongs done, or injurious practices. JOHNSON. Line 32. -blame the due of blame.] This scene should, in my opinion, be added to the foregoing act, so the fourth act will have a more full and striking conclusion, and the fifth act will comprise the business of the important day, which put an end to the competition of York and Lancaster. Some of the quarto editions are not divided into acts, and it is probable, that this and many other plays were left by the author in one unbroken continuity, and afterwards distributed by chance, or what seems to have been a guide very little better, by the judgment or caprice of the first editors. JOHNSON. ACT V. SCENE II. Line 42. That spoil'd your summer fields, and fruitful vines, Swills your warm blood &c.] This sudden change from the past to the present, and vice versa, is common to Shakspeare. MALONE. Line 45. -embowell'd bosoms,] Exenterated; ripped up: alluding, perhaps, to the Promethean vulture; or, more probably, to the sentence pronounced in the English courts against traitors, by which they are condemned to be hanged, drawn, that is, embowelled, and quartered. JOHNSON. Line 46. Lies now-] i. e. sojourns. MALONE. ACT V. SCENE IIІ. Line 84. - sound direction:) True judgment; tried mili tary skill. Line 138. JOHNSON. Give me a watch:] A watch has many signi fications, but I should believe that it means in this place not a |