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FAMILIAR CRITICAL AND MISCELLANEOUS PROSE OF
JOHN HENRY NEWMAN TO WILLIAM
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achieve action appeared attitude beauty becomes Byron called century character characteristic combination complex contemporary continually criticism death developed Dickens drama early effect element emotional England English essays experience expression fact feeling force give hand heart hero human ideal ideas imagery images imagination important individual influence interest Italy Keats kind lack language later less literary literature living look meaning mind mood moral movement moving nature never novel novelist objects passion pattern plays poem poet poetic poetry political present problems produced reader relation remains remarkable represented result romantic scene seems seen sense shows significant simple situation social society sometimes spirit stanza story style successful suggestion symbolic theme things thought tion tone tradition true turn verse Victorian whole Wordsworth writing written young